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Traditional bogolan (mudcloth) textile by Nakunte Diarra. Threads of Change - The Transformation of West African Textiles January 18 - August 20, 2009 Main Gallery African art in general and West African textiles in particular are vibrant and changing. West Africa is the heartland of African textile production. From the Kente cloth of Ghana and mud cloth of Mali to the indigo Adire cloth of Nigeria and printed cottons of Guinea both tradition and innovation are evident. The evolution of traditional crafts, the ingenuity of individual artists, and commercial global market forces have all influenced the design, color, meaning and function of West African textiles. ![]() Contemporary bogolan (mudcloth) textile by Boubacar Doumbia. African art has never been frozen in time. The exciting patterns, designs, and color combinations of the cloth coincide with changes in culture, religion and trade networks. In this exhibit you will see examples of some of the changes in cloth over time. While traditional mud cloth is painted in great symbolic detail, commercial works are produced quickly with pleasing designs and, often, western markets in mind. Fine artists from Mali using traditional vegetable dyes with original designs now exhibit their mud cloth in contemporary art galleries in Europe and the United States. Many of the textiles to be exhibited have been donated to the Museum, often by faculty. These textiles were collected by professors with a range of specialties in African Studies while traveling, working and living in Africa. They illustrate the longstanding vitality of the work of Michigan State University in West Africa. This magnificent display of textiles illustrates how cloth has been transformed and refigured over time. It is hoped that visitors will enjoy the artistry and skill of the producers represented by the textiles but also understand this practice in its cultural and historical contexts. African art belongs to the past and to the present. This exhibit will bring the viewer to a deeper understanding of Threads of Change in West African Textiles. Guest curator: Chris Worland This year-long series of exhibits, programs and events at Michigan State University is sponsored by the Residential College in the Arts and Humanities (RCAH), the Public Humanities Collaborative, the Center for Advanced Study of International Development (CASID), and the MSU Museum. Visual Griots: An Exhibit of Photography by African Youth learn more:
more information:
The delegation will attend seminars with MSU faculty and meet with Islamic and religious leaders in the Lansing area and other Michigan communities, and then spend a week in Washington, D.C. Alternately, in spring 2009, American clerics, scholars of religion, and community leaders will travel to Mali to learn about Islamic practice and culture, and continue to develop professional and personal linkages for sustained interaction. A second Malian delegation will come to MSU in fall 2009. This program is led by the Residential College in the Arts and Humanities (RCAH) and the Center for Advanced Study of International Development (CASID), in the College of Social Science. The program is made possible by a grant from the Bureau of Educational and Cultural Affairs of the U.S. Department of State. more information:
Residential College in the Arts and Humanities: (517) 355-0210, http://www.rcah.msu.edu/ Arts and Culture at MSU
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