Submerged Realities: AbuQadim Haqq’s Afrofuturist Vision of Drexciya — Featuring AbuQadim Haqq; moderated by Dr. Julian Chambliss.
This conversation delves into the influential Afrofuturist mythology of Drexciya through the visionary lens of Abdul Qadim Haqq, creator of the Book of Drexciya comic series. Known for his vibrant portrayal of submerged worlds and Black resistance, Haqq’s work blends science fiction, electronic music, and African diasporic history to forge a powerful narrative that resonates with contemporary issues of race, identity, and creativity. In this discussion, Haqq explores the cultural impact of Drexciya‘s imaginative universe, tracing its roots in Afrofuturism and examining how it continues to shape artistic dialogues and inspire future generations. Presented in collaboration with the MSU African Studies Center’s 65th anniversary celebration and WKAR Public Media, this event highlights Drexciya’s lasting significance within the intersections of art, history, and speculative thought.
Date: Thursday, March 27
Time: 6-7:30 PM (talk + 30 minute reception after)
Location: WKAR Studio (room 145)
About Abdul Qadim Haqq
Abdul Qadim Haqq, also known as AbuQadim Haqq and The Ancient, is an African-American visual artist born and raised in Detroit, Michigan, born December 24, 1968. Renowned as Detroit’s foremost ambassador of art for world-renowned techno music artists, Haqq’s artwork graces classic records by Detroit Techno record labels such as Juan Atkins’ Metroplex, Derrick May’s Transmat, Underground Resistance and Carl Craig’s Planet E Communications. Since 1989, Haqq has been a stalwart presence in the techno music community, serving it through his futuristic illustrations. As the founder of Third Earth Visual Arts, Haqq’s futuristic concepts, inspired by his love for fantasy art cultivated during childhood through shows like Speed Racer, Battle of the Planets, and Robotech, have captivated audiences worldwide. Growing up in Detroit, Haqq’s battle with asthma confined him indoors, where he immersed himself in science fiction and fantasy shows, fueling his creativity and leading him to major in graphic illustration at the College for Creative Studies. Graduating in 1991, Haqq dedicated himself to futurist art, remaining steadfast in his commitment to Detroit Techno Art to this day. His artwork captures the essence of the city’s electronic music scene, blending hi-tech aesthetics with Afrofuturist themes. Beyond visuals, Haqq crafted narratives for acts like Underground Resistance and Drexciya, breathing life into mythic landscapes and contributing to Afrofuturist storytelling. Central to his philosophy is the exploration of Black exodus technology, reimagining techno as a force for collective liberation.
Haqq has ventured extensively across the USA, Europe and Japan, participating in exhibitions, live painting events, murals and collaboration projects. His artwork has gained international recognition, gracing the walls of prestigious museums in Italy, Germany, and the Netherlands. Notably, his graphic novel, The Book of Drexciya, Volume One, delving into the enigmatic world of Drexciya found its place of honor in the esteemed British Library in London, underscoring Haqq’s profound impact on the global art scene and his unique ability to bridge cultures through his visionary creations.
Haqq’s latest artistic endeavors have delved into the realm of comics and graphic novels, where he intricately weaves narratives steeped in the rich tapestry of Afrofuturism. Through his evocative storytelling and visually captivating illustrations, Haqq explores themes of identity, culture, and empowerment, offering audiences a glimpse into imagined futures where African diasporic influences shape worlds of boundless possibility. With each new creation, Haqq continues to push the boundaries of science fiction, inviting readers to embark on journeys that transcend time and space while celebrating the vibrant legacy of Afrofuturism.
